Three Vietnamese films will be screened at the 70th annual Cannes Film Festival, to be held from May 17 to 28.
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Culi Khong Bao Gio Khoc (Sloth Monkey Never Cries) and Vi (Taste) will compete in the category of L’Atelier, which targets and gives production and funding opportunities for young, emerging filmmakers.
Both films reflect trends of the last decade in the country’s cinema industry.
Culi Khong Bao Gio Khoc is the first feature project directed by 31-year-old Pham Ngoc Lan of Hanoi, one of the city’s young talents in film.
The story is about a Vietnamese woman who spends a long trip alone around Europe, taking her the dead body of her husband, who was a security officer at a zoo, back to her homeland.
The film competed in the Asian Project Market category at the 21st Busan International Film Festival last year.
Vi was directed by 27-year-old Le Bao of HCM City.
The work depicts the daily life of a Nigerian football player in HCM City, who is jobless and faces obstacles in making a living.
It was presented as the Project with the Most Potential in the Southeast Asian Film Lab category at the Singapore Film Festival 2016.
Female director Nguyen Phuong Anh’s Vo Ba (The Third Wife) was also selected to be screened at the festival.
The film depicts the tragedy of a rural woman living in a small village in northern Vietnam in the late 19th century. She faces internal conflicts as her parents want her to marry an older man.
The film features People’s Artist Nhu Quynh and Vietnamese-French actress Tran Nu Yen Khe.
This year, Spanish film director and screenwriter Pedro Almodóvar has been selected as president of the jury for the Cannes festival.
Under a newly issued plan by the Ministry of Culture, Sports and Tourism, the story bank will serve as a central repository of content to be disseminated across multimedia platforms, helping bring Vietnam’s culture, people and development achievements to audiences worldwide.
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On educational cooperation, Vietnamese Ambassador to China Pham Thanh Binh praised long-standing collaboration in training, research and academic exchanges, noting that the Vietnamese language now is taught at around 30 universities across China.
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As international arrivals surge and global travel trends shift toward safer, culture-focused destinations, Vietnam is positioning itself to move beyond budget tourism and compete through high-value experiences and service quality.
Most Venerable Thich Tri Quang, Supreme Patriarch of the VBS Patronage Council, called on Buddhist dignitaries, monks, nuns, and followers to continue serving society with mindfulness and compassion, uphold the noble traditions of Vietnamese Buddhism, and spread the light of kindness to foster a better life for all.
In recent years, many localities across the Dong Van Karst Plateau have strengthened efforts to integrate traditional culture preservation into schools. "Khen" performances, linen weaving, folk songs and traditional games are gradually becoming more familiar once again to younger generations.
Australian Ambassador to Vietnam Gillian Bird said: “We are thrilled to support this musical collaboration between Australia’s Matthew Ifield and Vietnam’s Mỹ Anh. Creative connections and exchange between young people in Australia and Vietnam will help build cultural understanding between our nations”.
The Vietnam Film Institute in coordination with the Embassy of Sweden will jointly organise the Vietnam–Sweden Children’s Film Week in Hanoi in early June, featuring free screenings of Vietnamese animated films and Swedish children’s classics.
Vietnamese Buddhism has consistently upheld the spirit of “protecting the nation and serving the people” while accompanying the nation in promoting social ethics, strengthening great national unity, and advancing national development.
The Ministry of Culture, Sports and Tourism of the Republic of Korea, in collaboration with the Korean Cultural Center in Vietnam and the Korea Foundation for International Cultural Exchange, has officially launched the “Korea Season 2026” program series in Vietnam.
With a score of 69 out of 100, Hanoi stood out for its remarkable visual diversity, boasting more than 1.8 million unique colours captured across the analysed images.
The growing presence of Vietnam in international music videos is therefore more than a story of beautiful imagery. It is also a test of how the country positions itself within the global cultural landscape.
According to Vu Ngoc Lam, Country Director of Agoda Vietnam, travellers are becoming more selective when choosing accommodation, prioritising properties with strong reviews, quality amenities and distinctive dining options. This trend reflects a growing emphasis on the overall travel experience, alongside peer-based quality assurance.
Hanoi is currently home to the largest number of craft villages in Vietnam, with around 1,350 villages engaged in traditional trades and handicrafts.
With its majestic landscapes, rich ethnic cultures and immersive tourism experiences, Jade Dragon Snow Mountain and the Old Town of Lijiang are becoming increasingly attractive to Vietnamese travellers, while also contributing to stronger tourism and cultural exchanges between Vietnam and China’s Yunnan province.
The increase in flights from Russia, the CIS and Belarus to Da Nang not only helps diversify the city’s international visitor markets but also reflects growing confidence among international travel companies in Da Nang’s attractiveness and tourism capacity.
The Command Cave tour offers domestic and international visitors an opportunity to explore the values of the World Natural Heritage site of Phong Nha-Ke Bang while commemorating the victories and sacrifices of forces operating along the Truong Son route.
The introduction of a 10-year multiple-entry visa policy, together with a series of new tourism promotion programs, is creating fresh momentum for the Vietnam–South Korea tourism market in 2026.
The representative of the Vietnam Cinema Association stated that in the context of today’s fourth Industrial Revolution, the requirement to respect and ensure historical authenticity through cinema has become more important than ever, as digital platforms and cyberspace have enabled the widespread dissemination of cross-border media products.