Vietnamese and Chinese experts and artists in traditional stage art met at a conference in Hanoi on December 11 to share experience and seek ways to promote the art, as well as optimising the role of theatrical activities in deepening mutual understanding.
People’s Artist Le Tien Tho, Chairman of Vietnam Stage Artists’ Association said that the activity contributes to fostering the connectivity of theatre artists of the two neighbouring countries, giving a chance for them to exchange ideas on how to develop the traditional art in a modern context.
Participants at the conference evaluated the situation of stage art in the current period, support policies for artists, the training of young artists, and measures to popularise the art amidst the process of international integration.
Reviewing the methods behind traditional Vietnamese stage art, playwright Le Quy Hien said that Vietnamese theater has seen the inheritance of traditional art and the absorbance of modern theatre techniques.
Despite difficulties and challenges, Vietnamese theatrical artists have always been proud of the country’s stage art, he said.
Yan Baoquan from China’s Shaanxi University said that in recent decades, the traditional stage art of China has entered a struggling period. He said the restoration and preservation of traditional heritage arts has received much attention from the Communist Party of China and the Chinese Government.
According to Vietnamese theatre critic and theorist Assistant Professor Tat Thang, Chinese theatre has the highest number of genres in the world, with more than 300 types.
Dr. Tran Thi Minh Thu from the Vietnam National Institute of Culture and Art Studies said that Vietnamese and Chinese stage arts have experienced four waves of interferences, but the Vietnamese art has still maintained its identity.
The conference was part of the Vietnam-China traditional art exchange that is running from December 11-14 in Hanoi. Within the programme, there will be an exhibition featuring China’s renowned Peking opera master Mei Lanfang and both Vietnamese and Chinese theatrical performances.
On educational cooperation, Vietnamese Ambassador to China Pham Thanh Binh praised long-standing collaboration in training, research and academic exchanges, noting that the Vietnamese language now is taught at around 30 universities across China.
Technology is similarly enriching exhibitions at the Vietnam Women’s Museum in Hanoi. Wartime letters, a typewriter and other artefacts linked to former Vice President Nguyen Thi Binh have been digitally integrated with collections held at the War Remnants Museum in Ho Chi Minh City. Through projection mapping, 3D displays and a virtual reality recreation of the Paris Peace Agreement, visitors can engage more deeply with the life and achievements of one of Vietnam’s most prominent diplomats.
As international arrivals surge and global travel trends shift toward safer, culture-focused destinations, Vietnam is positioning itself to move beyond budget tourism and compete through high-value experiences and service quality.
Most Venerable Thich Tri Quang, Supreme Patriarch of the VBS Patronage Council, called on Buddhist dignitaries, monks, nuns, and followers to continue serving society with mindfulness and compassion, uphold the noble traditions of Vietnamese Buddhism, and spread the light of kindness to foster a better life for all.
In recent years, many localities across the Dong Van Karst Plateau have strengthened efforts to integrate traditional culture preservation into schools. "Khen" performances, linen weaving, folk songs and traditional games are gradually becoming more familiar once again to younger generations.
Australian Ambassador to Vietnam Gillian Bird said: “We are thrilled to support this musical collaboration between Australia’s Matthew Ifield and Vietnam’s Mỹ Anh. Creative connections and exchange between young people in Australia and Vietnam will help build cultural understanding between our nations”.
The Vietnam Film Institute in coordination with the Embassy of Sweden will jointly organise the Vietnam–Sweden Children’s Film Week in Hanoi in early June, featuring free screenings of Vietnamese animated films and Swedish children’s classics.
Vietnamese Buddhism has consistently upheld the spirit of “protecting the nation and serving the people” while accompanying the nation in promoting social ethics, strengthening great national unity, and advancing national development.
The Ministry of Culture, Sports and Tourism of the Republic of Korea, in collaboration with the Korean Cultural Center in Vietnam and the Korea Foundation for International Cultural Exchange, has officially launched the “Korea Season 2026” program series in Vietnam.
With a score of 69 out of 100, Hanoi stood out for its remarkable visual diversity, boasting more than 1.8 million unique colours captured across the analysed images.
The growing presence of Vietnam in international music videos is therefore more than a story of beautiful imagery. It is also a test of how the country positions itself within the global cultural landscape.
According to Vu Ngoc Lam, Country Director of Agoda Vietnam, travellers are becoming more selective when choosing accommodation, prioritising properties with strong reviews, quality amenities and distinctive dining options. This trend reflects a growing emphasis on the overall travel experience, alongside peer-based quality assurance.
Hanoi is currently home to the largest number of craft villages in Vietnam, with around 1,350 villages engaged in traditional trades and handicrafts.
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The Command Cave tour offers domestic and international visitors an opportunity to explore the values of the World Natural Heritage site of Phong Nha-Ke Bang while commemorating the victories and sacrifices of forces operating along the Truong Son route.
The introduction of a 10-year multiple-entry visa policy, together with a series of new tourism promotion programs, is creating fresh momentum for the Vietnam–South Korea tourism market in 2026.
The representative of the Vietnam Cinema Association stated that in the context of today’s fourth Industrial Revolution, the requirement to respect and ensure historical authenticity through cinema has become more important than ever, as digital platforms and cyberspace have enabled the widespread dissemination of cross-border media products.
According to the digital travel platform Agoda, travel searches by Vietnamese users show a clear shift toward lesser-known destinations offering more personalised and immersive experiences, spanning coastal, mountainous and cultural tourism.
PSNews - "We have always affirmed that the greatest strength lies in the people, and the greatest creativity also comes from the people. When millions of positive stories are shared and spread simultaneously, we are not only promoting the image of our country, but also helping to strengthen social trust, enhance consensus, elevate national prestige, and proactively counter false and distorted information about Vietnam in the international arena", said Trinh Thi Thuy - Deputy Minister of Culture, Sports and Tourism, Head of the Organizing Committee of the award.